Nederlands: Een denkbeeldige haven bij het krieken van de dag. Rechts een Romeinse triomfboog (gebaseerd op de Arco degli Argentieri te Rome) met vier reizigers daaronder. Achter de triomfboog een zeilschip met twee gele vlaggen op de masten. Links een ronde toren (gebaseerd op de toren van het kasteel te Tivoli) met vier schepen eromheen. Op de achtergrond een antieke stad met een piramide en gebouwen versierd met beelden. Op de voorgrond links een bootje, twee pratende mannen, een man die een ton op zijn rug draagt en een slapende man met een wandelstok naast hem. Aan de horizon op de achtergrond een eilandje en op het middelste plan een roeibootje met drie mannen.
; Claude Gellée, genaamd ‘Le Lorrain’, olieverf op doek, ca. 1637–1638
Date
between 1637 and 1638
date QS:P571,+1637-00-00T00:00:00Z/8,P1319,+1637-00-00T00:00:00Z/9,P1326,+1638-00-00T00:00:00Z/9
2011-2012, Claude Gellée, le Lorrain (1604/05-1682) dessinateur-II, Haarlem
2011-2011, Claude Gellée, le Lorrain (1604/05-1682) dessinateur-I, Paris Cedex 01
2008-2008, Afscheid Ronald, Amsterdam
References
'Keuze uit de aanwinsten', Bulletin van het Rijksmuseum 52 (2004), nr. 2, p. 182-184.D. Bull, 'Havengezicht bij zonsopgang', Bulletin van de Vereniging Rembrandt 13 (2003) nr. 2, p. 7-10.Jaarverslag Rijksmuseum Amsterdam, Amsterdam 2002, p. 58, 59.M. Roethlisberger, Claude Lorrain: The Paintings, New York, 1979.M. Kitson, 'Claude Lorrain: Two Unpublished Paintings and the Problem of Variants', Studies in Renaissance and Baroque Art presented to Anthony Blunt on his 60th birthday, Londen en New York (1967), p. 142-149.Documentatiemap SK.
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